Urban Decay

Set Design / Wardrobe Sourcing / Wardrobe Styling

A director from McCann approached me to design the sets for an Urban Decay spec shoot, filmed at Prospect Studios just before New York City’s COVID-19 shutdown. The project was created to showcase the Wired palette as a tool for bold self-expression, following a character’s journey from uniformity to individuality — mirroring Urban Decay’s ethos of fearless creativity. My role spanned set design, prop curation, wardrobe styling, and visual direction, ensuring every detail captured the brand’s signature aesthetic.

 

“WIRED” / Directors Cut

A woman in perfect uniformity breaks free to find her own individual self-expression

(0:30) Film Edit

 

(0:10) Film Edit

 
 
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Creative Direction

The brief was to design a commercial concept that felt both on-brand and aspirational. I expanded initial references into moodboards that informed everything from set environment to makeup looks and nail design. This holistic approach built a cohesive world where every element — lighting, props, wardrobe — reinforced the story of transformation.

 

Scene One — Conformity

A stark vanity scene conveyed the character’s constrained, uniform world. Vintage props + soft ambient light created an intimate but restrained setting. Wardrobe: metallic jumpsuit with warm tones, catching just enough light to define form against the cool-toned backdrop.

 

Opening Scene Vanity Dystopian—Behind the Scenes

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Scene Two — Discovery

The Wired palette reveals a chromatic world of freedom. Set inspired by a minimalist futuristic waiting room, with reflective props amplifying pink + purple tones.

Wardrobe: tailored two-piece suit, a deliberate contrast to the earlier jumpsuit — nodding to 80s menswear as a symbol of bold self-expression.

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Hand painted props flat white and gold prior to the shoot

Hand painted props flat white and gold prior to the shoot

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Hand painted golden hammer foreshadowing the ending of the film

Hand painted golden hammer foreshadowing the ending of the film

Final Scene — “Kill the Lights”

The transformation peaks in chaos and liberation. Disheveled set design mirrored inner turmoil. Lighting from a smashed TV cast harsh dramatic tones, balanced by a soft lamp glow for depth. A visual metaphor of breaking structure and embracing creative freedom.

Final scene—Kill the lights

Final scene—Kill the lights

 
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Agency McCANN / Production CRAFT
Executive Producer/ Alex Holmes
Director/ John Tanner
DoP/ Kyle Lieberman
Set Design/Wardrobe Marlene Reyes
Wardrobe Assistant/ Pilar Albuerne
Gaffer/ Adam Reichardt
HMU/ Maiko Ando
Model/ Iyanla Kalifa Gallett

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